
Phyllis Haver
Biography
From Wikipedia Phyllis Haver (January 6, 1899 – November 19, 1960) was an American actress of the silent film era. Haver auditioned for comedy producer Mack Sennett on a whim. Sennett hired her as one of his original Sennett Bathing Beauties. Within a few years, she appeared as a leading lady in two-reelers for Sennett Studios. Later, while signed with DeMille-Pathé, Haver played the part of Roxie Hart in the first film adaptation of Chicago in 1927, opposite Hungarian film actor Victor Varconi. One reviewer called her performance "astoundingly fine," and added that Haver "makes this combination of tragedy and comedy a most entertaining piece of work." She performed in the comedy film The Battle of the Sexes (1928), directed by D. W. Griffith, and appeared with Lon Chaney in his last silent film, Thunder (1929). Haver retired from the industry with two 'sound' films to her credit. In 1929, she married millionaire William Seeman with a service performed by New York Mayor James J. Walker at the home of Rube Goldberg, the cartoonist. The couple divorced in 1945. Haver retired in Sharon, Connecticut. She died at age 61 from an overdose of barbiturates in 1960, a suspected suicide. Haver left no survivors.
Also Known As
Movie Appearances

The Temple of Venus
as Constance Lane
1923

Rugged Water
as Myra Fuller
1925

What Price Glory
as Shanghai Mabel
1926

The Golden Princess
as Kate Kent
1925

The Hollywood Kid
as Self
1924

Nobody's Widow
as Betty Johnson
1927

Hearts and Flowers
as Prune Magnate's Daughter
1919

The Little Adventuress
as Victoria Stoddard
1927

Tenth Avenue
as Lyla Mason
1928

Yankee Doodle in Berlin
as Minor Role (uncredited)
1919

The Christian
as Polly Love
1923

The Fighting Eagle
as Countess de Launay
1927

The Wise Wife
as Helen Blaisdell
1927

The Balloonatic
as The Young Woman
1923

Chicago
as Roxie Hart
1927

The Battle of the Sexes
as Marie Skinner
1928

Fig Leaves
as Alice Atkins
1926

The Way of All Flesh
as The Temptress
1927

Sal of Singapore
as Sal
1928

Down on the Farm
as Herself - in Prologue
1920